March 3, 2021

Sculptor Ben Young on His Glass and Concrete Sculptures and Creative Process

Sculptor Ben Young on His Glass and Concrete Sculptures and Creative Process

We talk to sculptor Ben Young about his incredible glass and concrete sculptures and how he began making these unique pieces.


This week on the Top Artist Podcast, we talk to sculptor Ben Young about his incredible glass and concrete sculptures and how he began making these unique pieces.  He explains that boating and water sports were an important part of his life for a long time, but a family trip first introduced him to the glass art that would later define his career. We learn about the influence his time as a boatbuilder had on his craft and about the leap of faith he made when transitioning to work as a full-time sculptor. 

See some of the artwork we discuss on the Top Artist Instagram

Follow Ben Young’s work on his website, Instagram, Facebook, Behance, and Tumblr.

And read more about some of the projects we discuss during our chat:

New Layered Glass Sculptures Capture the Depth and Beauty of the Ocean

Interview: Former Boat Builder Translates His Love of the Ocean into Stunning Glass Sculptures

New Hand-Cut Layered Glass Sculptures of Ocean Waves by Ben Young

New Ocean-Inspired, Hand-Cut, Layered Glass Sculptures by Ben Young

New Layered Glass Ocean Sculptures Capture the Spirit of the Sea

Ben Young

Sculptor

Residing in Mount Maunganui, New Zealand, Ben Young is a self-taught artist who has been making glass sculpture for over 15 years and has exhibited alongside well-known glass artists both internationally and in Australia.
Having spent most of his life living in the beautiful Bay of Plenty (North Island, NZ) it seemed natural for him to explore the local landscape and surroundings for early inspiration in his art. A keen surfer and a boat builder by profession, he is largely influenced by the ocean and brings these passions together in his evocative glass forms.
Each of Young’s sculptural works are hand drawn, hand cut and handcrafted from clear sheet float glass, then laminated layer upon layer to create the final form. He constructs models, draws templates, makes custom jigs and then cuts the layers with a glazier’s hand-tool. The complexity comes from the planning phase, where he says ‘I do a lot of thinking before I even start to draw or cut’. He then sketches the concept by hand and creates a plan using traditional technical drawing techniques: ‘I work with 2D shapes and have to figure out how to translate that into a 3D finished piece. Sometimes my starting point changes dramatically as I have to find a way to layer the glass to create certain shapes.’